Zuzana Vojířová (1983)
Overview
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | cs |
| Popularity | 0.368 |
Directed By
Petr Weigl
Crew
Jiří Pauer
Jiří Pauer
Jan Bor
Milan Malý
František Vajnar
Karel Lier
Milan Čorba
František Pilný
Leoš Komárek
Bohumil Čipera
Pavel Jelínek
Karel Kohout
Zdeněk Oves
Stanislav Vaněk
Jiří Kadaňka
Petr Weigl
Petr Weigl
TOP CAST
Magda Vášáryová
Zuzana Vojířová
Gabriela Beňačková
Zuzana Vojířová (singing voice)
Juraj Kukura
Petr Vok
Václav Zítek
Petr Vok (singing voice)
Jaroslava Adamová
Kateřina
Libuše Márová
Kateřina (singing voice)
Ivan Luťanský
Ondřej Zachar
Lubomír Havlák
Ondřej Zachar (singing voice)
Vlasta Fabianová
Grandma
Věra Soukupová
Grandma (singing voice)
René Tuček
Adam z Hradce
Antonín Švorc
Adam z Hradce (singing voice)
Vladimír Kratina
Tomáš Roh
Dalibor Jedlička
Tomáš Roh (singing voice)
Květa Fialová
Markyta
Marie Veselá
Markyta (singing voice)
Alena Kreuzmannová
Bětka
Naďa Šormová
Bětka (singing voice)
Milan Hein
Věrník
Jindřich Jindrák
Věrník (singing voice)
Václav Kaňkovský
Scholius
Karel Berman
Scholius (singing voice)
Ivo Gogál
Petr Vojíř
Miloš Ježil
Petr Vojíř (singing voice)
Jiří Hromada
Jirka
Zdeněk Švehla
Jirka (singing voice)
Vladimír Hančl
Vojtek
Vojtech Kocián
Vojtek (singing voice)
Aťka Janoušková
Barborka
Similar Movies
Un Ballo in Maschera - Barcelona
Envy and conspiracy, but also passionate loves, jealousy, revenge and final forgiveness come together in the masterpiece of Verdi, which aroused the anger and prohibitions of censors of the time until the composer and librettist was compelled to make changes in it: from the original Sweden to far away Boston. The great Polish tenor Piotr Beczala returns to the Liceu with one of his opening credits, accompanied by the soprano Keri Alkema. Vincent Boussard’s sets reinforce the dark and mysterious atmosphere surrounding the piece, which features costumes by Christian Lacroix and Vincent Lemaire’s sober staging, which allows one to focus their attention on the dramatic core of the score. The cast, directed by a true specialist like Renato Palumbo, also presents a leader in Verdian song: Dolora Zajick.
Manon Lescaut
Manon Lescaut's production was updated and it worked. Highly professional production with two of the best performances I've ever witnessed in any opera. By the end of the third act I was crying and by the end of the fourth act I could not stop the tears. These two can not only sing up a storm they act one as well. This is the best Manon Lescaut I've ever seen and hope the upcoming one at the Met is as good. It truly was thrilling. Kaufmann and Opolais were unbelievably fantastic and the orchestra was superb. Pappano is the kind of maestro you want to sing for as he coaches as in the old days of maestros like Levine, etc. This is highly recommended as a keeper!
Bizet: Carmen
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
Death in Venice
Benjamin Britten's 1973 opera, performed in 2008 at the Liceu Opera in Barcelona, Spain.
Carmen
Spain 1820. It's meal time at the cigar factory. Carmen spends her break in the square. Close by is Don José cleaning his weapons.
The Beggar's Opera
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
Amadeus
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
Verdi Un Ballo in Maschera
This production from Covent Garden is set in Stockholm, and not Boston. With Reri Grist (Oscar), Placido Domingo (Gustavus), Katia Ricciarelli (Amelia), Piero Cappucili (Renato), Patricia Payne (? - the booklet or DVD fails to credit the singer) (Ulrica) and Claudio Abbado in the pit: all at their peak, you just simply cannot go wrong when purchasing this DVD. This performance made me realise why I had fallen in love with opera: beautiful (today one should be thankful) and convincing sets and costumes, and fiery conducting and singing from all the above soloists which leaves you breathless. Domingo as the King (not the Governor of Boston) is simply ravishing! He is so convincing and dashing as Gustavus - I think very few tenors nowadays can even attempt such a convincing vocal and dramatic performance.
Lisa Limone and Maroc Orange: A Rapid Love Story
Main hero is a singing boat refugee – orange boy Maroc. He dreams about freedom. Lemon girl Lisa collects singing seashells and dreams about love. Lisa’s father is a businessman, owner of a ketchup factory and tomato plantation. He loves money. And so the opera begins: Poor Maroc escapes from his homeland and defying stormy waters take a boat across the sea to the “promised land”. Upon arrival he is forced into being a slave worker in a tomato plantation instead of freedom, democracy, wealth and parties he had hoped for. Despite the initial let down our orange boy is destined to gain happiness – selfish Lisa falls in love with him and sets him free. We see an orange revolution – houses are blown up and tomatoes are made from ketchup, all in the name of democracy! Movie that is full of rebellion and love has happy ending – we will see sour-sweet culmination of lemon girl’s and orange boy’s love.
Die Meistersinger Von Nürnberg
James Morris leads an all-star cast including Karita Mattila, Ben Heppner, Thomas Allen and René Pape, in this production of Wagner's comic opera, recorded live at New York's Metropolitan Opera in 2001. James Levine conducts.
Der Rosenkavalier
This 2004 production of Richard Strauss's three-act comic opera Der Rosenkavalier (1911) emerged from the efforts of the Grosses Festspielhaus Salzburg. It stars Adrianne Pieczonka as Feldmarschallin, Franz Hawlata as Baron Ochs, Angelika Kirchschlager as Octavian and Franz Grundheber as Faninal. The Konzertvereinigung Wiener Staatsopernchor and the Wiener Philharmoniker lend added musical support, with Rupert Huber serving as chorus master of the former and Semyon Bychkov conducting the latter.
The Girl of the Golden West
A celebrated new production of Puccini’s La fanciulla del West from the Vienna State opera featuring Jonas Kaufmann and Nina Stemme. Staged by Marco Arturo Marelli, who sets it in a modern-day mining village, with the feel of a gritty modern drama, during the American gold rush of 1849. An unlikely setting for an Italian opera, but one that has a happy ending. It tells the tale of Minnie, the bartender in the saloon whom all the local men adore, and Dick Johnson alias Ramerrez, a notorious bandit. Dick and Minnie fall in love on first meeting, so much so that he vows to change his life as a bandit, sung by two contemporary great singers: Nina Stemme and Jonas Kaufmann. A new production from Marco Arturo Marelli brought one of Puccini’s rarely performed works to the Vienna State Opera stage in September 2013. Jonas Kaufmann in his role debut as the wanted and notorious bandit Ramerrez proves ideally cast, full of power, with his breathtakingly beautiful baritone timbre.
Tannhauser
Wagner's tale of the struggle between spiritual and profane love, and of redemption through love, is given a radical visual update in Sebastian Baumgarten's controversial yet thought-provoking Bayreuth production. Joep van Lieshout's giant installation 'The Technocrat'; dominates the stage, its industrial interior giving credence to the idea that Tannhäuser is one big experiment and playing host to some magnificent performances, among them Torsten Kerl's robust interpretation of the title role and Camilla Nylund's wonderfully empathetic Elisabeth. Recorded live at the Bayreuth Festspiele, August 2014.
Written On Skin
When Written on Skin had its premiere at the 2012 Festival d'Aix-en-Provence, conducted by George Benjamin himself, it received a standing ovation. The opera's arrival at Covent Garden in 2013 was eagerly anticipated, and provided audiences with the opportunity to experience the work of two of Britain's greatest living artists. Benjamin previously collaborated with playwright Martin Crimp on Into the Little Hill, a magical retelling of the Pied Piper fairytale, and for this new work they joined forces with acclaimed stage director Katie Mitchell. For all three, the production marked their main-stage debut at the Royal Opera House. The tale, inspired by a medieval legend, tells of an ill-fated troubadour, drawn into a liaison with an innocent maiden. But they are observed by the jealous eye of her protector, who wreaks a shocking revenge on the young couple. Written on Skin draws on a 12th-century Occitan legend about the troubadour Guillaume de Cabestanh.
Eugene Onegin
The Wiener Philharmoniker mounts, and Andrea Breth stages, this 2007 production of Pyotr Illych Tchaikovsky's opera Eugene Onegin, starring Peter Mattei, Joseph Kaiser, Anna Samuil and Renée Morloc. The Konzertvereinigung Wiener Staatsopernchor lends added musical accompaniment, under the baton of Daniel Barenboim.
Tchaikovsky: The Queen of Spades - Gran Teatre del Liceu, Barcelona
Obsessive in gambling and in love, the soldier Hermann is the protagonist of Tchaikovskys Pique Dame, based on a story by Pushkin. He is smitten with the aristocratic Lisa and fixated on learning the winning secret of the three cards from her grandmother, the Countess, played by iconic contralto Ewa Podles. This opulent production from Barcelonas Liceu captures St Petersburg in the era of Catherine the Great, while the houses Music Director Michael Boder conducts a large and impressive cast. Recorded at the Gran Teatre del Liceu, Barcelona, 30th June & 1st July 2010.
Les Troyens
Alexandre Tarta's production of Berlioz's opera, recorded live at the Salzburg Festival in 2000. Sylvain Cambreling conducts, with performances by Jon Villars, Russell Braun and Tigran Martirossian.
Remains to Be Seen
A singer and her apartment manager get mixed up in a creepy Park Avenue murder and find themselves facing danger at every turn.
7 Deaths of Maria Callas
A meditation on the female body as a source of both power and pain that focuses on the tragic figure of renowned American-Greek opera singer Maria Callas (1923-77), whose stunning soprano voice captivated audiences around the world in the mid-20th century while her life was wracked by scandal and personal suffering.
Le Grand Macabre
Premiered in Stockholm in 1978, the work is based on a play by Michel de Ghelderode (1898-1962) and unfolds in an imaginary land inspired by the famous Dutch painter Pieter Brueghel the Elder: Nekrotzar, the Grand Macabre, announces the end of the world; but in a land ruled by eros, alcohol and corruption, his plan to unleash the Apocalypse bursts like a soap bubble. LIVE RECORDING FROM THE GRAN TEATRE DEL LICEU, BARCELONA, 2011